Brandon Pithouse
John Seed
Price: £7.95
There were once more than a thousand men and boys worked at Brandon Pithouse in County Durham. Today the site of the colliery is a green wilderness. John Seed has set out to recover the lost and silent world of Durham pitmen – in the company of Walter Benjamin, Sid Chaplin and Charles Reznikoff. Composed of fragments of recorded speech, parliamentary reports and newspapers, Brandon Pithouse is a book about the experience of labour – about the pain and danger of working underground, about the damage to the human body and about the human relationships created in such conditions. It is a study in the attachments and distances which shape our relationships to place and time, the negotiations required to reconnect ourselves to a world that ceased to exist in the 1990s. It is a set of notes for an unmade Eisenstein film and a footnote to chapter 10 of the first volume of Marx’s Capital. And like any history, it is a ghost story.
Author photo: Gregory Seed
6
The darkness never changes. Seasons make no difference. Spring
and summer, autumn and winter, morning, noon, and night, are
all the same.
Coal and stone, stone and coal – above, around, beneath.
There is a path which no fowl knoweth, and which the vulture’s
eye hath not seen: The lion’s whelps have not trodden it, nor the
fierce lion passed by it.
(Job 28: 3, 7-8)
_________________
they rarely saw daylight for six months of the year
apart from Sundays the whole night’s rest lasting till daylight
the one family dinner of the week
_________________
Pressing for more information, he inquired how long I had been
down the pit.
‘Seven years,’ was the answer.
In most surprised tones he said, ‘Have you not been up until now?’
I was surprised at him, and replied, ‘Yes, every day except on rare
occasions.’
‘Why, I thought you pitmen lived down there always!’
John Wilson
_________________
You do get
All sorts of temperatures
Down the mine sometimes
It’s cold as winter sometimes
Hot as hell
_________________
Youngest were the trappers of the barrow-way
where the putters pass they sit
in a hole like a chimney cut out in the coal
a string in their hand
all day in pitch black if the
candle went out or the oil ran out
noises of strata moving pieces of roof falling
rats mice scurrying round their feet
in muck and water cold and shivering
opening and closing heavy ventilation
doors for passing coal tubs
up to eighteen hours every day
_________________
Winter of 1844 we had neither, food, shoes, nor light in our first
shift.
I was sent to mind two doors up an incline and the drivers flung
coal and shouted to frighten me as they went to and fro with the
horses and tubs.
yelling all day long
half naked
black
covered by sweat and foam
The wagon-man, Tommy Dixon, visited me, and cheered me on
through the gloomy night; and when I wept for my mother, he
sang that nice little hymn,
‘In darkest shades if / Thou appear my dawning has begun’.
He also brought me some cake, and stuck a candle beside me.
_________________
To reach the pit
three miles from home
on cold dark mornings
sit crouching in a
dark damp hole behind a door
kicked and pushed
here and there among
lads and brutal men for
twelve or thirteen hours
was an experience I little dreamt of
when we asked Neddy Corvey for
work at the Leitch Colliery
_________________
10th November. – Xxxx Xxxxxxx, xx, a lad working xx Xxxxxx
Xxxxxxxx, in the night shift, had stolen some gunpowder, and
was taking it home with him in the early morning, xxx xxxxxx
xxxxx in a piece of gas piping which he had thrust down his
trouser leg to hide it xxxx xxxx, when a spark from the lamp
hanging on his belt fell into the open end of the pipe
_________________
I became a door-keeper on the
barrow-way four years ago
up at four walked
to the pit by half-past
work at five no
candles allowed except my father
gave me four burnt about
five hours I sat in
darkness the rest of the
time I liked it very
badly it was like I
was transported I used to
sleep I couldn’t keep my
eyes open the overman used
to bray us with the
yard wand he used to
leave marks I used to
be afraid the putters sometimes
thumped me for being asleep
_________________
Near a door in the rolley way I held a string which pulled open
a door and which shut again of itself.
I could move about a little but must be on the watch to see if
anything was coming.
If I happened not to open the door in proper time I was likely
to get a cut of the whip.
Swarms of mice in the pit and I could sometimes take them by
a cut of the whip.
Midges sometimes put out the candle.
The pit is choke full of black clocks creeping all about.
Nasty things they never bit me.
_________________
I often caught mice.
I took a stick and split it and fixed the mouse’s tail in it.
If I caught two or three I made them fight. They pull one
another’s noses off.
Sometimes I hung them with a horse’s hair.
The mice are numerous in the pit. They get at your bait-bags
and they get at the horse’s corn.
Cats breed sometimes in the pit and the young ones grow up
healthy.
Black clocks breed in the pit. I never meddled with them except
I could put my foot on them.
A great many midges came about when I had a candle.
_________________
I used to come up at six
went home got dinner washed and went to bed.
no mischief in turnip or pea fields
in orchard or garden
but what I was
in it or
blamed for it
when the pits were idle I wandered
Houghton-le-Spring Hetton Lambton
Newbottle Shiney Row
Philadelphia Fence Houses Colliery Row Warden Haw
Copthill
every wood dene pond and whin-cover
was known to us in our search for
blackberries mushrooms cat-haws crab-apples nuts
not a bird’s nest in wall hedge or tree for miles around
escaped our vigilance
_________________
One day the overman sent us to a part of
the mine we’d never been before there was fire-damp
put out our candles one after another as fast as
we lighted them so we ran it was not safe
to try it on any longer and we began to
scramble our way back in the dark laughing we were
a great deal but we missed our way and got
into old workings abandoned for years and got lost we
wandered about for two whole days and nights and were
nigh starved to death afore we found our way out.
_________________
many who escaped to the higher workings
must have subsisted for some time on
candles horse-flesh and horse-beans
part of a dead horse was found near and
but few candles were left
though a considerable supply had been received
just before the accident
_________________
Mushrooms
grow in the pits
at the bottom of the props
and where the muck’s fallen
100 yards or more from the shaft
_________________
‘John Seed has done it again. His historian’s mind and his poet’s ear combine to lift voices out of their documentary shafts and arrange them in artificial visual forms that slow down our reading eyes just enough so that we can hear the voices too, bearing testimony amid the statistics and documents. It’s secular magic.’
Robert Sheppard
‘John Seed is not inclined to call this work poetry but it uncertainly is – simply by the weight of the emotional truth it bears within it and through the factual interpretive discipline in the attention it pays to its fabrication. Its fluidity, its adherence to its materials, its rhythms, cadence and vernacular, produce a verity of being – the being of a way of life now gone. I implore you to read this work.’
Ralph Hawkins
‘a poetry book that deserves a place in every Durham home.’
Northern Echo
‘a fascinating poetic social document-cum-oral history.’
The Recusant
‘a cartographer of darkness... a scrapbooker of a coal town’s dark past.’
Salzburg Poetry Review