Chagall’s Moon
Jeremy Robson
Price: £7.99
As though making up for lost time after suffering what he jokingly refers to as the longest writer’s block in literary history, Jeremy Robson’s new collection is his fourth in nine years. Written with characteristic craft and wit, many of the poems in Chagall’s Moon reflect the changed world in which we find ourselves, as rockets rain nightly on Ukrainian cities, refugees drown in the channel, and post-Brexit chaos reigns. Chagall’s Moon movingly creates a world of love and loss, identity and laughter, dreams and nightmares, where Beethoven and Picasso rub shoulders with Billie Holiday, Chagall’s lovers still fly in a cloudless sky, the ghosts and horrors of recent Jewish history are never far away, friendship and childhood memories still stir, and love presides.
Front cover: David Abse, Chagall’s Moon
I My childhood passion, yet turning the pages of those recently discovered old albums after so many hidden years I hadn’t expected this: not all those historic faces from another era, American generals and Presidents, Polish aristocrats and Russian farmers, Egypt’s profligate King Farouk in his tasselled hat, and, chillingly, a cold-eyed Hitler with row upon row of Third Reich stamps lined up like Panzer divisions behind him. G for Germany. And how ironic to discover on the facing F for France page, fatally placed, a down-cast Petain, caught in the glare of the Fuhrer’s stare, looking across warily, as well he might, as if about to leave the stage, his jaded Marshall’s hat perched precariously above a milk-white moustache. Then, further on, Mussolini, Franco, Stalin and a grim cast of history’s villains waiting threateningly in the wings. Surprising too, the regal faces of British Monarchs on the stamps of countries that quit the Empire long ago, so many of them, large and small. And elsewhere too, striking stamps of proud nations overcome by coups, revolutions, invasions, war, now bearing different names or existing no more. I must have spent all my pocket money and many school-work hours I could ill afford rushing to Stanley Gibbons in the Strand in search of stamps I needed desperately to complete a set, or to the post office to buy First Day Covers and send myself postcards to ensure they bore a day-of-issue postmark. There they all are now, those stamps, neatly spaced in sets or parts of sets and carefully mounted or lightly held in place by small transparent hinges on the appropriate pages; and those pretty First Day Covers too, the 1948 Olympics, the Festival of Britain, the Queen’s Coronation, and also covers from a still young United States with many centenaries to celebrate. I wonder now at the care and time I took in those early days, only too aware of my later slipshod ways. Are they worth more now than the values they display? For me they have a value far beyond the monetary. II But there was more than that, for behind those large long-lost blue albums others lurked, smaller and more numerous, packed with the autographs of the then famous – film and radio stars, dancers, singers, sportsmen, politicians. I must have spent as much time hunting them down as the stamps I sought, waiting in the rain at stage doors, at the edge of tennis courts and cricket pitches, outside football stadiums. And for those beyond my immediate reach, there were letters to send, stamped addressed envelopes enclosed and a flattering fan note expressing my admiration. It amazes me now how many responded in that pre-email era, often with a specially signed photograph. Were there more hours in those early days? There must have been, for there were also cigarette cards to collect, comics to hoard and sell on to eager friends, amazing magic tricks to buy at Hamleys, and photos to develop in the messy darkroom I’d fashioned at the top of the house, the second-hand camera I’d saved up for rarely rewarding my stamina. III As well as all this I collected tropical fish, hurrying as often as I could on a number 28 bus to an enticing shop in the Harrow Road, where hundreds of exotic fish of all shapes and colours swam and dazzled in tanks around the walls. I’d press my eyes to the glass, mesmerised, wanting them all, before selecting one or two to take carefully home in a large jar. Then, on one fateful birthday, I raced eagerly down the stairs to find the hall floor flooded and the large tank empty, all my beautiful fish dead. I tried to revive them but it was too late. Not even my copious tears could bring them back to life, nor the consoling words of my mother as she mopped the floor. No killer, no Lady Macbeth, could have felt more guilty. My birthday party went ahead just the same that afternoon, but I couldn’t put out the candles on the special cake my mother had baked, however hard I blew. For me they’d taken on a different hue. Somehow, after that, my enthusiasms waned, the empty coffin-like aquarium was removed, the stamp albums, the autograph books remaining exactly as they were, last stamps, last signatures. Gradually, unknowingly, I began to turn life’s more transient pages, as ever more swiftly I still do. Had that really been me? Are all those books with their transporting pages mine? Is it all true? It seems fanciful at this distance in time. And yet, and yet... I don’t regret.
I was supposed to meet Picasso. I was given a time, but he wasn’t there. They told me he’d gone out to get some air, to wait for him on the winding stair. Eventually he came striding in, shook me by the hand then turned to others in the ever-lengthening queue. There was nothing I could say or do. His assistant sauntered past, apologised, told me to come again, same time, the following day. She had multi-coloured ribbons in her fluorescent hair, wore a long floral dress that swept the floor and began to sing the Habanera aria from Carmen. Not a woman you could easily ignore. My Cubist dream continued through the night. Now his paintings were hovering round my bed. A man and an outstretched woman were entwined in a passionate embrace, though things weren’t in their normal place. A bull was chasing a toreador round a blood-stained ring, its horns half bent, a guitar began to strum an out-of-tune lament. I tried to fathom what it meant. From the corner, an angular woman in blue was eyeing me provocatively. I couldn’t place her though I thought I knew her face. By now my head was spinning at a dizzying pace. Still, I turned up next morning not a second late for my important date with a book and flowers I thought he might appreciate. But they said they were sorry, he couldn’t see me as he’d just died. At least I’d tried.
Somehow, for all the turning years, spring always surprises me, throwing off winter’s chilling coat often quite suddenly. And for the past few days the almost unreal beauty of the blossom crowning the branches of a young tree in the garden opposite has stopped me in my tracks whenever I’ve passed. But this morning, drawn by the disturbing roar of a chainsaw, I peered through the window as a young sun greeted the early day, and there it was, lying like a corpse on the driveway, its pink finery scattering as a steady wind began to lift its branches. Nearby, three determined men sawed away at the surrounding foliage, seemingly unaware of the dying beauty at their feet. No execution, no falling guillotine could have done more to dampen the spirits. I recalled Hopkins’ felled aspens, the poet’s anger and lament. The sun may have shone when those men began their devil’s work, highlighting the almost fairy-like aura of the blossom on the ground, but now it had been swallowed by thick dark clouds as thunder roared, rain poured, and drop by drop the drenched blossom lost its dazzle. The gods, it seemed, had spoken. Next day it was as if it all had never been, a kind of awful dream. Everything cleared away. I’d say it was surreal, but sadly it was all too real.
Aged five, splashing in the sea and watching seagulls dive, there was not a cloud in view that August day, the endless sky an undiluted blue. And time, if he was aware of time, was not a chiming clock that beat the hours down, but his mother’s call to high-tea, a story read together on the old settee, and bed. And there to dream of white-foamed waves and sandcastles, of crabs scuttling across white sands, of pony rides and Punch and Judy shows, of the billowing sails of colourful yachts, and of the elegant pier that seemed to stretch to the horizon, where bands played and you could shy wooden balls at coconuts that never seemed to fall, have your fortune told, and wolf candy floss, waffles and ice-cream to your heart’s content. A few years later and he’d be standing at the edge of the Great Orme cliffs, throwing stones at transparent jellyfish below in revenge for swelling stings that had made him scream. Now smugglers and pirates filled his dreams. And so it went on, the annual visits to his great-grand-parents’ Llandudno home where he was born, while the oblivious tide rolled in and out with military precision and the sea raged and calmed, calmed and raged, those idyllic summers rolling him steadily towards adult hurdles more challenging than breaking waves. Yet he returned there from time to time, if only in his dreams, and once, proudly, with his wife and young family, but the endless summer days he vividly recalled seemed to have become much shorter, the sea more often rough than calm, and there were too many disturbing ghosts around.
We know each other as well as two people can, have shared exultant moments of birth and celebration, a lifetime almost, the low moments too, of loss and desolation. And yet tonight, across a wooden kitchen table, sharing a simple meal, you seem distraught. What thoughts are troubling you, I wonder, as you look forlornly towards me. I ought to know but clearly don’t. That can’t be right. Rain is rattling the windows, the night is darker than dark. I’d like to raise my hand like a skilled magician and vanish them, whatever the demons be, but am unable to. Your hair, longer than usual, rests on your shoulders as it used to do, and as I raise my eyes I see the beautiful woman I’ve shared the years with come into view. Who, I wonder, do you see? A distant man, deep in his own thoughts, perhaps, almost a stranger, if only momentarily. Silence pulsates round the room expectantly. The glasses of wine I’d poured remain untouched. And then, like a plane emerging from the clouds, like a flash of sunlight, you smile, and I smile back, relieved, those healing smiles more potent than any reassuring words could ever be. Our hands reach towards each other simultaneously. We raise and clink our glasses in a silent toast.
It begins and ends with a solo performance no one can understudy or double for, one greeted by cheers, the other laced with tears. In between you achieve what you can love, work, study, play, make the most of every day, or so you should, for you only get one go on life’s precarious merry-go-round as it turns at an ever quicker pace before its lights flicker, it slows gradually to a halt, and only an Exit sign glows.
‘My test when reading a new book of poems is to stick a post-it wherever there’s a poem I want to go back to. They sprout like a small forest in his new collection. This is the work of a poet whose experiences, transmuted into fluent, accessible poetry, will strike a harmonious chord with many readers.’
Bel Mooney
‘Robson’s vision is both gentle and steely, and on top of his ability to touch one deeply is a marvellous, wry observation of the sweet, sour and savoury in life.’
Maureen Lipman
‘Continues Robson’s remarkable renaissance… the mood is one of cheer, optimism and playfulness. Poems guaranteed to raise your spirits.’
Jewish Chronicle