Underneath
Martin Hayes
Price: £7.99
Martin Hayes’ third Smokestack collection is a hymn to the invisible workers everywhere who hold up the sky – specifically the couriers and support staff who have been working 15-hours a day to distribute PPE and test kits up and down the UK.
Underneath is a brutally funny collection about work, comradeship and community, the deals we do to stay human in the dehumanising conditions of the twenty-first century, the years we exchange for a fridge full of food, a well-stocked medicine cabinet and the chance to swim in the sea once a year. It’s a book about work-mates and neighbours, warnings and redundancies, managers with their ‘Moray eel smiles’ and the alien rich who think that the world belongs to them. Martin Hayes gives a voice to everyone at the bottom of the pile, below the salt, underneath, defiantly asserting that we are not defeated – at least not just yet.
Author photo: Victoria Hayes
they want from us total commitment they want from us our blood and our hunger they want our flesh inked with the company’s logo on our chest they want our knuckles to our brains and all the nerve-ends in between switched off they want our sinews and our muscles sewn together with steal thread so that we can only move when they pull their levers they want all of our teeth to be theirs so that we can only chew when they chew ache when they ache they want us to show them where we keep our guts so that they can sneak in under the radar and pull them apart angry thread by angry thread until nothing is held or stitched together anymore they want us like robots sat at our workstations every day not wanting or able to think of anything other than what their viruses have burrowed into us and malfunctioned us to think and what do we want? we want to be able to walk through the park on a Saturday afternoon without feeling anxious we want to be able to lay out on the grass drinking ice cold beer while looking up into the sky without worrying about office politics we want to swim in the ocean once a year and know how we are going to pay for it we want a mouth full of teeth that we know we can afford to get fixed or capped if ever they should go rotten we want to be able to enjoy the laughter and song that comes from having food in the fridge the electricity bill paid a car taxed and full of diesel a medicine cabinet full of floss sticks and Sudocrem paracetamol and hand cream Bonjela hair bands Diazepam and Anusol we want to be able to live in our block without the threat of being redistributed hanging like thick drool dripping from a councillor’s panting mouth because an entrepreneur took him for a £500 dinner and promised him a place for his kid in the prep school that will take our council flats’ place alongside the £65-a-month gym business units and 1.5 million-pound lofts we want to feel be able to say to ourselves that we are human and not have to give everything of that away just so we are allowed to work just so we are allowed to exist
who are these men with sleepy nests for heads all wearing the same clothes same looks on their faces like something deep down inside them has cracked who are these men holding on without a skip in their step hearts mustering an if-you-must pump spilling just enough blood over its edge to keep their vast network of veins and bones and muscle moving who are these men with cracks in their glasses slumped in their seats hushed spines sinking into the day’s mud crawling out from under Orgreave’s car crash unable to work out if they have survived or this is that death who are these men in the early morning emptiness of this vacant lot tube broken up into millions of pieces carrying buckets plasterer’s poles De Walt bags drills hard-hats clipped to rucksacks or else dangling from forearms they’ve got no time or energy to harm who are these men speechless now as worms bright as flamingos emptied out into luminous orange suits SKANSKA – KIER GROUP – GALLIFORD – BALFOUR BEATTY – MACE – marked plumage of high-vis vests marching out onto the salt-flats to eat honest as a crow on a slag heap looking for any old protein or fats to feed their brood’s with to stuff their nests with to live on who are these voiceless men whose people are they our people
Chaplin had it Keaton had it and Laurel and Hardy had it Lucas has it as he walks in early for work with a flask and tupperware box full of sandwiches under his arm with ‘mornings’ and ‘alright mates’ spilling out of him like birdsong before he sits down at his workstation spreading it out across the whole room Javed has it as he dances across the control room floor turning and spinning like he’s in his favourite Bollywood movie tapping colleagues on the shoulder before leaning down next to them and peering at them with bulging eyes doing that thing with his head from side to side while wagging a finger at them before spinning off again to make himself a cup of tea Ashley has it as she sits at her phone station every now and then letting that laugh of hers boom out into the air dirty and gravely as a dockers that burrows in through our ears so that it swims in and around our muscles and our veins and our stomachs warming up our entire systems Antoine has it as he sits at his workstation carrying on imaginary conversations with controllers while it’s roaring busy and the phones constantly ringing about how he thinks us controllers haven’t had sex in months or proper kissed a girl since we were teenagers things totally unrelated to work that dissipates all of the pressure and makes you feel like you’re in a school playground once again rather than in a control room trying to protect your job they are the only things they’ve got left that they haven’t been able to take away from them yet that despite their snide comments and threats the traps they set for them to fall over in the 3rd year of a pay freeze with the purchase of the CEO’s shiny new Bentley sitting outside in the yard hasn’t broken them yet these hearts of theirs bigger than the sun spreading their heat and light out pulling everyone up by the scruffs of their necks this magical spirit of theirs that keeps on pumping keeps on laughing its magic out even when everything else around us seems to be falling apart designed to try and make us give up
from his HR meeting he just exited right out of the door must’ve felt desolated because he left one of his ear pods and all of his protein drink powder sachets at his workstation he’ll be out there now on his own wondering what to do next where he goes from here it is an ugly site the loneliness after losing your job the sky doesn’t look so beautiful the trees don’t look so amazing walking is hard smiling is hard breathing and the hour before bed not knowing whether you’re going to sleep or not is the hardest it is the next step that is always the most terrifying maybe I am fussing over nothing maybe the mum has forgiven him taken him back in delaying his final steps over the bridge crossing the ravine under where that river runs maybe this poem is pointless that they are both now sat on the couch watching family videos together on the new tele he’s bought her with his last bit of cash I hope so
we work to make it turn into food to make it turn into heat and electricity that keeps our families warm and happy we work for the council tax the rent the laughter and song we work like Standing Bear worked we all work for the hill in the mists at the back of our minds that we were brought up on the land where we once ran free alongside our buffalo alongside our canal our dogs the city rat knows this and the turtle in the sea knows it we all work to make our skirting-board Empires happen as Elon Musk colonises space and all the stars are bought by money while our Empires spread themselves out to just the next Saturday afternoon sat outside pubs in parks drinking up the sun waving a payslip about in our hands with laughter in our throats a payslip that will pay for the ice creams the cake the coffees the beers and wine that make it all just about bearable a payslip that wherever you are stretches the whole route back to work building you making you the strength of rivets that hold together ships that won’t fall apart in the middle of the ocean payslips that are the jaws of a leopard that can drag its prey up into a tree and eat peacefully for a week payslips made by hours spent tapping away at buttons ignoring the snide comments of supervisors turning our cheeks and dignity towards the sun and what those payslips will bring us payslips that make things happen payslips that keep our hearts intact and stuck together fuck the dignity of labour we need payslips we need food and wine on the table we need heat in the water that comes out of our taps we need cigarettes to smoke internet connections floss sticks toothpaste E45 and hair clips we need washing up liquid hoover-bags and batteries we need light bulbs socks and scissors to cut the gaffer tape that keep our remote controls together we need beds beds we can fuck in beds we can sleep in beds we can sweat in and beds we can die in we need TO EXIST! under a roof that only our payslips can provide
God will not save us we are from Underneath His hands have been turned to shape a different valley silicon greenbacks and the wise selling us short before dumping us Underneath it has always been the same always only one last chance always only the love or the drugs the music or the poems Instagram or Netflix uppers or downers glory or depression all somehow enough to get us through stop us from rising keep us tied to this council flat stump intricate plans of escape get formed but their fruition evades us we are from Underneath we have clods for brains we knock them about in silly postcode wars toughing it out for our skin-colour our infiltrated memories and weekend allegiances our avatars reflected back into the world more important than the hands we used to hold they say all of it foam atop of the sea Underneath our broken bones and torn-out tongues thread the cement of their structures to keep them sturdy nothing changes Underneath only sometimes the flags move about in the air a bit fiercer and the songs get sung from a different mouth than the one we all used to share before we break bread let me tell you what’s said about those from Underneath they are bereft of intellect blind to the craft they don’t know a consonant from a vowel every scattering of letters ends up in the word CUNT I’ll leave it up to you to decide what the fuck they mean by that! they move Underneath they do so the Media say like witches gathered around a cauldron always got a scam going on always an angle but it’s never as clean and simple as it seems Underneath single mothers have to be like Hyenas with their teeth bared ready to snap and pull at any meat they can we weren’t imprisoned no one was trying to put a noose around our necks we didn’t have to be in doors by 9 o’clock football had been taken away from us on the terraces but we could still sit in any seat on the bus and we were right royally compensated with free music and cheap films pumped into our rooms 24/7 it was easy living sometimes we couldn’t even work out if we lived Underneath or not and that’s when we started to lose our voice sometimes you couldn’t even put two bits of bread together to make them a sandwich sometimes you couldn’t put a chicken wing on the table but you told them as though it was something to be proud of that they were from Underneath through wine-glistening eyes it was getting closer to Christmas I needed the money so I got me mum to set up a meeting with the Provi man so that I could lend a bag of sand we sat on the stairs of her flat he got me to sign his tablet then handed me over the cash Christmas is easy Underneath it’s the rest of the year that’s hard they keep offering it you email after email text after text you know it’s wrong to respond the lovely lady would be enraged but there’s this lust in you that wants it needs that hit of what it’s like to feel free again so you do it have a great couple of weeks buying Comte and avocados getting her hair cut and drinking better wine Underneath debt is worse than infidelity you can run away from one but the other one it will follow you around forever it’s not to be made light of it can destroy some families constantly Underneath it can it starts with an individual first they go rotten and once that rot sets in everything else starts to fall apart crumbles disintegrates bruises start to appear first then a tooth or two goes missing but there are always those who are constantly crackerjacking always trying to carve a laugh out of thin air their constant smiles and cynical look-what-they’ve-fucking- done-to-us-now humour soothes the helpless pain brings sunshine when there’s only rain and their indomitable spirits can sometimes make you feel that you’re never gonna have to give up again if you didn’t know it already you learn that you are from Underneath when you go for that promotion when you are told by the Directors that though your 30 years of experience is important they have decided to give it to somebody else a clone who hasn’t spent one minute inside a control room but who’s wardrobe and performance was better than mine you can tell us what you want we know what we know you can shout at us and scream at us we’ll have trouble hearing you up there you can spit on us and piss on us we have resolved to carry on you can even shit on us we’ll sweep such mess away you can tell us what you want we know what we know Underneath it has always been the same
‘This is poetry like virtually no-one else in Britain is writing. It is funny, wise, sad, tragic and thoroughly memorable.’
Mistress Quickly’s Bed
‘Martin Hayes is speaking about matters too often ignored in today’s literature. A working man himself, Hayes writes brave poetry that sheds a unique light on the work world where most of us spend most of our waking hours. A very necessary, powerful voice in this era of austerity, inequality and exploitation.’
Fred Voss
‘I can’t think of any other British poet with this degree of obsessive focus and the result is claustrophobic, intense and unrelenting... More power to his pen.’
Steve Spence, Stride
‘No poet writes so well as Martin Hayes about the conditions of work in the twenty-first century, its frustrations and absurdities, as well as its consolations.’
Morning Star
‘a real roar of anger, resignation and fortitude from workers on the frontline of austerity Britain… We need poets like Hayes now more than ever… Important reading.’
Andrew McMillan
‘The poems work morally by their rejection of the fundamental relationship of our economic system.’
Mistress Quickly’s Bed