Roma
Bernard Saint
Price: £7.95
‘Time’, wrote the Roman emperor Marcus Aurelius, ‘is a river of passing events, and strong is its current; no sooner is a thing brought to sight than it is swept by and another takes its place, and this too will be swept away.’ In Roma, Bernard Saint follows the shade of Marcus Aurelius through the elastic time zones of the Eternal City. There they encounter Gregory Corso, Chet Baker, Jane Birkin and Serge Gainsbourg; they walk down the Catwalk, watch Reality TV and guide a rock-star into rehab. Like Cavafy’s Alexandria, Grass’s Danzig, Borges’ Buenos Aires – and Fellini’s Roma – this is a book about a city where time never walks in a straight narrative line. It is a book about imagination and history, accidents and architecture, faces and frescoes; a river where past, present, and future meet.
Cover image: detail from film-poster for Fellini's Roma (1972)
Author photo credit: Harry French
Long ago it seemed The city did not circulate by money – You occupied poor quarters nonetheless Jobs and bed-sits few would countenance With poetry your permanent companion – So a boy of seventeen might estimate Hope and inspiration Sacredly above the prudent mind Regarding sober stoics who maintained There is one trusted guardian at best Dwells within your house when all grows dark You lacked both chronic need and inclination You craved the muses’ food of mere seduction A storm-fly pressed against their windowpane You turned aside from knowledge to those passions Whose false-reflected pleasures twitched your wings
Meeting Marcus Aurelius at Bar Zero That fashionistas’ hangout on Bologna’s main piazza Where media Italians shop for leisure and for labels Foraging its shaded porticoes We remark how little fashion ever changes – Prioritising youth’s ephemeral beauty Applying its discretions to those advanced in years Its acolytes remaining unconstrained By studies of a philosophic nature That only tone the mind When one has aged Money Power Success and Pleasure These remain its mantra from conception That one might wear an outer show Of attributes insensible to virtue – Even dress that deviates Soon finds assimilation To high style – So Punk and Grunge parade now in gold clasps And safety pins of platinum will have you max. your plastic In purchasing your daughter her contemporary demeanour When we were young we had the uniform Some called bohemian – It was a uniform for non-conformists Unquestioning we rigidly conformed Else we might never Recognise each other Holding as we did diverse ideas Maturity then ripened into seeds expelled from pods Our separate ways to sow and walk alone Then little did we know Nor should we guess Our future days – Of sensible supportive footwear Ergonomic chairs Our regimens of pills and The elasticated waistband… But I digress – it was the Roman hedonist Gave birth to our most venerated models – Anorexia Nervosa and her twin Bulimia I see Haunting constantly the vomitorium Their perpetual cigarettes Preserving pearl-like European pallor Do you realise I dined once with a model? Her photographs superbly draped The glossy leaves of Vanity and Vogue But in the flesh – my gods – appeared a fright Her pitchfork limbs and bulbous eyes evoked A range of famine pogrom and addiction I swear I lost my appetite So like herself I pushed – about a mile – Two spinach leaves around my dinner plate And found no room for pasta No doubt you’ve seen Fellini’s parody – The Ecclesiastical Catwalk? Kinetic head-dressed anchorites Entering on roller-skates Circle an audience of dowagers While skeletons from catacombs parade Cobwebbed and crumbling to dust – So my fascination for this clothes-horse Had its touch of horror Aurelius – though you profess Not the slightest interest in fashion – Surely there had come a day you found Your rough Greek cloak of wool An affectation? Put aside the tweeds and corduroys We might advise the modern thinker Seek out those master tailors Peppino Scarapazzi Giorgio Battistoni – Creators of ‘the simple and the good’ Italian suit – A future time may come to call it Mod – Though men forget its elegance Entirely stems from Roman Stoic values
Observe the kind of mind that chases fame – A ship cannot rely on one small sail A life cannot sustain by one ambition – Self-serving man sustains a little while Until his sea of arrogance subsumes him Your envy will outlive all happiness Of those whom you believe are held above you – But court dissatisfaction with your lot Many form from this well-paid professions – The cynical psychologists who claim ‘Everything is what you think it is’ Carving up the words of Epictetus To suit their busy bromides Reducing to banality His vision of the unity of all things The world is filled with nature’s refugees In exile from the heart as from the soul Yet dedicate a little time To those few things you need To suit a Roman and a man Of independent dignity Considering the cosmos A single living being Your life is but a moment Do not set your happiness to waver On flattery or censure of some other – Only seek the company of those With whom your capabilities expand This narrow ledge we walk some call ‘alive’ – Enticed with promises of pleasure Constrained by alternating thoughts of pain – How cheap and how corruptible – Whose judgements and opinions Confer renown on a harried rock? One who sets his sights on fame And while obscure endures the dream Of posthumous recognition – The praise of all the world Means nothing to the dead The living who remember him One by one resume oblivion Memory and fame are this A rock-pool between tides While ceaselessly the river meets the sea
Concerning Chet Baker my lips are sealed By a calm vermilion glowing coal At the centre of a snowball – This was his sound – his soul A snowflake turning to a flame mid –air A cool conduit concluding In a candlelit basilica – The groove above our upper lip A fingertip impresses before birth Advises silence on our true abode – ‘Hush this is the world Which shall pass Though music last’ – To contemplate at lowered microphone A whispered existential question mark That bends his reputation to a stance Of spretzatura understated cool – Articulation of the difficult Without personal bravura
‘Bernard Saint has a fine intelligent eye for the parallels between Ancient Rome and the modern city. These poems are continuously enjoyable and rewarding for their alert observation and sense of history.’
Alan Brownjohn
‘He is a neo-classical, undeceivable poet whose own music, to adapt his lines for Chet Baker, articulate the difficult without personal bravura. These poems stay with you.’
Grey Gowrie
‘An elegant evocation of Rome's unresolved and self-contradictory past and present, anchored by the ghostly figure of Marcus Aurelius, a gentle stoic whose life was consumed in warfare.’
Elspeth Barker
‘Makes the Emperor’s moral seriousness an example to our levity and his austere manner of life a rebuke to the current rage of consumerism.’
Poetry Salzburg Review
‘an ingenious polemical comment on contemporary narcissism and celebrity anti-culture through the prism of Roman philosophy... erudite, exquisitely crafted satirical poetry.’
The Recusant